[Music] Oh yes, Bob Fosse, English penguin, you don't know French, Nigel, so you're struggling with the phone, and I thought maybe you needed help to take a picture. Okay, we're from Turkey. Turkey, Turkey!

Aha, okay, effect. It was a pretext—interesting. Protect an excuse to say that you were pretty.

I didn't want to take a picture this morning to say you were pretty; that's why it's actually a very bad, just a very bad strategy to say what I said because you might think I want to steal your phone. You know, it was very dumb for me to do that. Well, what are you doing today?

I'm just for Pam. Okay, nice. Yeah, just looking for my friend.

Is there an Iranian? Iranian? Oh yeah, you know Iran.

Romanian? No, Iran. Iran is from Iran, that's right.

So anyway, I just wanted to tell you, you were pretty. Okay, we can take. .

. well, okay, you want to take your phone? You want me to help you Stanford?

To the check, where are you from, friend? We're French. French.

French like 90% of people here. Okay, and where did you come to Paris? Just for travel?

And there are friends? A ready, clear wedding? Yes, magic ceremonial.

You're as good at English as me. Yeah, good. Everything?

You should. . .

me? Okay, a little same. Yeah, we're good, not too bad, but not too good.

Yeah, you can communicate. Yes? Ready?

Now it's the communication of love. Okay, your name? Did you understand?

Yeah, she did not understand. Now your name? You?

Leo? Jeongsu? Oh, John - John - yeah.

Is it Japanese? No, no, it is the same. Okay, drop it down.

Like a la Ostler, Mr Casler? Yes, Junsu Ostler. Yeah, it reminds me of a series called Vikings.

I'm watching a series of soldier Vikings. Their soldiers are not. .

. and it may—it's like names of Vikings, like. .

. no. Yes, and that time is much different.

You just hurt yourself. I don't know, come on, it's risky. Yeah, you say that.

. . - what is it?

They say each. . .

nagesh. I mix till then, you and I guess. Immature, it's risky.

Negation, medicine. But if you. .

. yeah, no, it's not so. .

. it's very similar to French, so that's why I'm freakin' to me. So you study—do you look like girls who study?

No, no, the hours you're working—girls. Yeah, okay, it's work. Yeah, it is.

And Tessa necessary to say, "Hey"? Yeah, it means in. .

. in office. I'm sure in our case I have.

. . obviously we have.

. . all know she has a lawyer, yolo.

Yeah, yeah, yeah, you look lawyer. Actually, I thought you were doing like law studies. Nice, you must be very, very smart, Buffalo.

Yeah, I feel honored to be with you. What are you studying? What you had?

What are you watching? Nah, change butter almond. Generally, criminal.

Criminal and punishment is all about punishment? All about? Yeah, speak like anytime.

Yeah, are you really from Turkey? I'm sure velocity against the. .

. like you know, she observes a lot when you're coming home. Ha, and you're coming home to Turkey?

You're gonna Texas? Yes, you will have the French accent. French accent is cute for young, I think.

Yeah, but recession. . .

I know we have a strong language. I mean, maybe know you? You are like more excuses?

No, no, French is not. . .

I mean, I don't know because I got a [__], thirsty person but look at the market. And I mean, then you speak possibly Paul concern, but we speak—I was very. .

. I mean yes, maybe like. .

. maybe you say perdón, perdón, perdón. Hard, yeah, you're right.

You know, it depends, but it's true that the F. . .

it's not so beautiful. F. .

. and the brook. .

. like you're gonna throw up. Yeah, there's people can make the Harry Caray.

Yep, you don't have that. Yeah, boss, boss, boss. You're actually like false—you're forcing.

. . our tomorrow we will go to item, but I'm just worried that to have this meal infinite.

You can go to Florida to have Disneyland or Japan. Japan, yeah. Go to Japan—some superpower.

Japan is also far, but friend, we don't come to France for Disneyland. Sorry, time's up. Dude, you're good to thank at least for activities on your face and any aesthetic—it's attraction.

Part French attraction? Part. .

. it's a—you don't know the comics with the gun? Wha?

Yeah, fight the Romans? No, just a good. .

. were pretty Celtics. Open an aesthetic.

But yeah, ballistic, the fat guy go inside there. Yes, mom. Can the smaller?

So there's a part showing them. . .

when? No, you go out tonight, you see? You well wanna go up?

Yeah, yes, yeah, we go out with me. I guide you. Yeah, you can guide up?

Yeah, you know, you're better than us. Yeah, yeah, sure, I'll guide you. We can go to a.

. . to a Mumma next to the box?

No, no, no, yeah. We know what we. .

. we never forgot. You wanna go down—that's a remaining one?